And so here we are counting down the final hours of what has been a horrific and tragic year for so many around the world. In the city, on both coast the industry in film, television and theatre has been for the most part non existent and for many like myself the year was marked a by great loss, loss of work, loss of whatever stability one had or hoped for and of course their was the loss of life , the most tragic of all losses. 2021 will be more of the same, at least for another six to eight months, maybe more. The difference this time as oppose to last March was the unknown impact that this pandemic was to have on the arts community livelihood. It was unknown territory. Now the territory is known, but that doesn't make it less tragic. There is hope but probably not till late Summer/early fall. Today on the last day of the year I received another certificate from another little festival regarding my pilot script being selected as "Best of". This festival was in India. The news brought a smile to my face and hope for a better tomorrow. The festival wins are encouraging, but one hopes that the praise will find the willing eyes of some producer who also sees light at the end of this pandemic and is willing to make an investment in the project therefore making an investment in me. There is much to hope for in the coming new year. I hope that I have planted strong seeds these past few months and the seeds will blossom and grow. One can hope and after this year it's nice to know that "hope" still exist inside of me.
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It is Monday, December 14th. I've just gotten home from taking my second Covid-19 test in preparation for a film project that I will be shooting in a couple of days. As I write this trucks are being stocked and travelling cross country delivering hope, a vaccine that will hopefully sometime in the fall of 2021 left the darkness of this pandemic and bring us back to a sense of normalcy to our everyday lives like going outside mask less, running freely, dining out, meeting friends and loved ones, hugging freely. My focus these last few days have been on making sure that The LAByrinth Theater company Zoom Intensive runs as smoothly as possible. I am one of three producers who are organizing and trying to bring a sense of connectiveness in a world where disconnect has become the new norm. I have been receiving invites from various festivals in which my work as a writer has been accepted, invitations to come and joy in the festivities via Zoom. I am grateful for these invites, but there is a sadness that I cannot be there in person to meet, greet, be greeted and network, to be among peers and celebrate the work. As I've mentioned before these last few months with the acceptance of my work as a writer from various festivals around the world, some more important than others has been a bright light shining through the darkness of this year of the pandemic and for that I am truly grateful.
Here we are on December 1st, the final four weeks of what has been a year of a living nightmare of uncertain in regards to work, present, future and most importantly health. There has been much loss this year, loss on so many levels. I had posted before about the erasing of so many projects that were lined up that I had to delete from my calendar as the pandemic came into full force and now we here are in December and the since of dreed and fear of the future still exist. There is a sense of uncertainty, a sense of will 2021 be more of the same or maybe just a little bit different, just a little more hopeful. I wish I knew. As I write this I have gotten more positive responses from the many festivals that I have submitted my projects to, mostly non theatre project for film and television. The festivals vary from very important to perhaps not so, but at this moment in time, for me it's about trying to stay the course, get the work out there in the hopes that the possibilities of future work will arrive. I don't know. I know that it makes me feel really good and fills me with much confidence that my work is being seen and appreciated. Again I don't know the importance of the majority of the festivals, some I do know of their importance, but every little bit helps. My theory is very much my approach to the theatre and those opportunities that rise up - work is work whether the space is 25 seats or 500, whether the theatre is well known or not so well known. It comes down to working on your craft and seeking support for the work that you are doing. I am happy that I have received the recent recognitions for my scripts. I feel in my heart that it will help bring an awareness to the work and isn't that at the end of the day waht it is all about outside of the creative process itself.
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